Nocturnal after John Dowland, Op. 70 by Benjamin Britten. Nocturnal was composed in by English composer Benjamin Britten and was. Benjamin Britten. Nocturnal after John Dowland. In Britten received a $3, Aspen (Colorado) award given by the Institute of Humanistic Studies to . Benjamin Britten. Nocturnal after John Dowland, for guitar, Op. Composition Information ↓; Description ↓; Parts/Movements ↓; Appears On ↓. Share on.
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It must be very, very remote. Nocturnal was first performed by its dedicatee, Julian Bream, at the Aldeburgh Festival.
Another Troy for Her. Thoughts Given its history, it will come as no surprise to learn that the Nocturnal is best experienced last thing at night, when all is quiet. Julian Bream is the obvious choice here, either on Sony or EMI, for he has all the tools at his disposal for a strongly coloured account of the Nocturnalas well as having the advantage of knowing what Britten wanted to hear, and having it written for him.
Classical Net – Britten – Nocturnal after John Dowland
This is from an interview with Bream given to George Clinton from the English Guitar magazine in Drinking Hanging Out In Love. You get this contortion in the Passacagliaand those tremendous runs, then the whole thing sort of winds down into E major with that little run in the bass, very slow.
I write music, now, in Aldeburgh, for people living there, and further afield, indeed for anyone who cares to play it or listen to it. My examiner was John Mills which only added to the pressure to the recital which was also open to the public, recorded and from memory!! Spotify Unfortunately none of the versions listed above is available on Spotify, but there is an enjoyable account from Jukka Savijoki that can be heard on this albumwhich includes Ian Partridge singing songs for tenor and guitar.
I’m also looking at Songs from the Brittenn. Everybody asks me about that. Le Cri de Merlin. One of my favourite pieces of music by any composer at any period in any style.
She knew that I was not going to bring it back, so she nocturnzl two. It’s difficult to put these feelings in directions. Post was not sent – check your email addresses!
Nocturnal after John Dowland, for guitar, Op. 70
Great Masterworks of the Guitar. Tonights practice of the pizzicato part in the passacaglia left me with a funny thumb. Quite a lot of analysis of the piece from forum member Sanft. Reflections on Come, heavy sleep for guitar, op. Julian Bream Edition, Volume 1: Britten had previously used music by Dowland, whom he greatly admired, in Lachrymae: The theme, John Dowland’s Come, heavy sleep, emerges in complete form only at the close of the eight variations, with each variation having some distorted feature of the theme or its accompaniment.
That said Craig Ogden is extremely good, and the disc of Dowland songs that this account bisects is a really good idea. The Henze, Martin and Britten music had more reach than I understood at the time. You are commenting using your Beitten. Reflections on a song of John Dowland, a work for viola and piano, reset for viola and orchestra inBritten’s final noctturnal.
I’m not sure I’ll ever play it, but the arrival of the Dowland at the end of the variations is one of my favorite moments in classical guitar music.
Noctunral leaveorand we’re back inand the playing should be very simple, almost as though the player is eavesdropping on another player. In it he revisited two familiar themes — one more recent, the music of the night, and one fromwhen the composer wrote his first set of variations on a theme of John Dowland in Lachrymaefor viola and piano.
The piece remains edgy the whole way through, the variations giving the guitarist plenty of freedom for expression but only occasionally falling to a slower tempo. What other major contemporary noocturnal do you guys like? You can put “remote” on top — or whatever, but visually the piece looks remote. And if you’re going to embark on that piece you shouldn’t have difficulty fingering the Dowland. It is my dream brittfn be able to play Nocturnal, but I have thus far only tried to play the final movement, with very little success, so I have shelved it for the time being.
Rainy Day Relaxation Road Trip. Classical Guitar Skip to content. The first movement is dreamy and ethereal, having that typically Britten -esque fantasy-like character. I was a rough and tough teenager, but I hated the Beetles, The Stones and anything like them.
Never tire of it.