A one-of-a-kind book encompassing a wide scope of jazz topics, for beginners and Customer reviews on for Jazzology average a glowing 5 stars!. Customer reviews on for Jazzology average a glowing 5 stars! Here is a typical reader comment: “The book’s approach is so intuitive, it almost. , English, Book, Illustrated edition: Jazzology: the encyclopedia of jazz theory for all musicians / by Robert Rawlins and Nor Eddine Bahha ; edited by.
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A three-pronged approach was envisioned with the creation of this comprehensive resource: Includes the basics of intervals, jazz harmony, scales and modes, ii-V-I cadences. For harmony, it covers: For performance, it takes players through: Jazzoloyy more Read less.
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Page 1 ajzzology 1 Start over Page 1 of 1. Bool Jazz Theory Book. The Berklee Book of Jazz Harmony. Hal Leonard Jazz Piano Method. Robert Rawlins in He is especially interested in jazz, traditional music of the Maghreb, African, and Oriental music which all influence his compositions.
He evolves, thus, in a world in which jazz, Moroccan and Oriental music meet to create surprising and memorable melodies. He performed many rearrangements of Moroccan traditional music such jazzolgy Gnawa, Melhoun, Andalussi and Ghernati music. In addition to having played with several Moroccan and foreign jazz musicians in different styles, he is a member of The Souissi Brothers Jazz Quartet with whom he composed several themes with a unique fusion of North African music heritage and jazz.
In addition to a Ph. Rawlins has performed extensively on flute, saxophone and clarinet in both jazz and classical venues.
Product details File Size: Hal Leonard July 1, Publication Date: July 1, Sold by: Share your thoughts with other customers. Write a customer review. Read reviews that mention jazz theory theory books easy to understand well written theory book great book errors authors reference text learn learning musician page tool become chords content encyclopedia examples. Showing of 40 reviews. Top Reviews Most recent Top Reviews.
There was a problem filtering reviews right now. Please try again later. Updates and corrections needed. I bought this book trusting good reviews, but I’m wondering if some of these reviewers really looked it through.
While I appreciate that it handles topics about jazz theory comprehensively, there were so many errors especially on “Exercises” of every chapter that it made me lose my motivation having said that, I have already read it thoroughly twice and tackled all exercises. Also, some descriptions are too dry to grasp what the authors mean.
Furthermore, I wonder why the authors chose only completely unfamiliar songs written by Mr. Bahha one of the authors as reference tracks with no audio guide. I wish they had picked up at least a couple of jazz standards we know well. I’m afraid Hal Leonard won’t be interested in publishing the 2nd edition, but hopefully, either of the authors will upload something like a list of errata on their websites.
Apart from that the book has wayyy too many errors, and should have been checked before it was sent out. A lot of the references to answers in the back are just wrong, completely different examples. Really poor planning on the publishers part.
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I would have preferred to grab a different book for a jazz harmony course, im sure there’s one out there which has all the same information and less errors. Requires a student who already has a good knowledge of music to be able to understand this book.
It is very well written and helpful for the serious jazz student. This book is phenomenal. I’m a professional musician and composer with a classical background and I love getting theory books to get new ideas and understand non-classical methods of thinking. I can honestly say that this book is one of the best I’ve ever found. Because it was written by both a jazz musician and classical musician, ideas are explained in ways that are very easy for me to relate to, but the book also reveals jazz concepts I was unfamiliar with.
I have learned a ton from this book and it is a permanent and welcome addition to my library. It is well written, easy to understand, flows well, and is organized very clearly. I have to say, I wish I had gotten this instead of getting Levine’s book years ago. I’m still glad I have Levine’s book, but I find this to be a great counterweight to it. My only issue is that there are several typos I discovered within the first minutes of reading through it.
Some chords are mislabeled, Usually when this happens it is pretty obvious so no harm no foul, but it is the only hangup in an otherwise outstanding text. It is an attractive and informative book about learning jazz.
Good jazz theory book.
This excellent book is useful and relevant both as a reference work and as a coursebook. In addition to being the definitive compendium of music theory as it relates to Jazz usage, it also contains exercises for the student jazology can be used in the classroom as a supplementary teaching tool or even as a full blown course of study in itself. There are hundreds of musical examples to flesh out the prinicples and topics covered ajzzology the text. The material is well paced and in a logical order.
The uncrowded look of the page layouts aids considerably in making this vast amount of technical material easily digestible for learners of any level. This extremely deep book is certainly poised to become the standard Jazz Theory text of the 21st century.
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Jazzology: The Encyclopedia of Jazz Theory for All Musicians by Robert Rawlins
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