Buy Manhattan by Philip Sparke at Concert Band Sheet Music. This is a delightful two-movement work for trumpet soloist and concert band. Sa. Manhattan: Philip Sparke – Trumpet And Piano (Trumpet, Anglo Music, Books, AMP) en-GB. Philip Sparke: Manhattan – Trumpet or Cornet & Piano – Anglo Music Instrumental Series – Score, part. Fast and reliable delivery worldwide.
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View Shopping Cart Woodwind Instrumentation Codes Following many of the titles in our Wind Ensemble catalog, you will see a set of numbers enclosed in square brackets, as in this example:. The bracketed numbers tell you the precise instrumentation of the ensemble. The first number stands for Flutethe second for Oboethe third for Clarinetthe fourth for Bassoonand the fifth separated from the woodwinds by a dash is for Horn.
Sometimes there are instruments in the ensemble other than those shown above.
Whenever this occurs, we will separate the first four digits with commas for clarity. Thus a double reed quartet of 2 oboes, english horn and bassoon will look like this:. Titles with no bracketed numbers are assumed to use “Standard Instrumentation.
Following many of the titles in our Brass Ensemble catalog, you will see a set of five numbers enclosed in square sparme, as in this example:. The bracketed numbers tell you how many of each instrument are in the ensemble.
The first number stands for Trumpetthe second for Hornthe third for Trombonephulip fourth separated from the first three by a dot for Euphonium and the fifth for Tuba.
Titles listed in our catalog without bracketed numbers are assumed to use “Standard Instrumentation. Following many of the titles in our String Ensemble catalog, you will see a set of four numbers enclosed in square brackets, as in this example:.
Manhattan Sheet Music By Philip Sparke – Sheet Music Plus
These numbers tell you how many of each instrument are in the ensemble. The first number stands for Violinthe second for Violathe third for Celloand the fourth for Double Bass. Thus, this string quartet is for 2 Violas and 2 Cellos, rather than the usual The system used above is standard in the orchestra music field. The first set of numbers before the dash represent the Woodwinds. The set of numbers after the dash represent the Brass.
Percussion is abbreviated following the brass. Strings are represented with a series of five digits representing the quantity of each part first violin, second violin, viola, cello, bass.
Other Required and Solo parts follow the strings:. Instruments shown in parenthesis are optional and may be omitted. The Beethoven example is typical of much Classical and early Romantic fare.
In this case, the winds are all doubled 2 flutes, 2 oboes, 2 clarinets and 2 bassoonsand there are two each horns and trumpets. There is no low brass.
Strings are a standard configuration 4 first violin, 4 second violin, 3 viola, 2 cello, 2 bass. Sometimes strings are simply listed as “str,” which means strings. The second example is common for a concert band or wind ensemble piece. Note the inclusion of the saxes after bassoon zparke this band work. Note also that the separate euphonium part is attached to trombone with a plus sign.
For orchestral music, saxes are at the end see Saxophones below. Multiples, if any, are not shown in this system.
The numbers represent only distinct parts, not the number of copies of a part. In the third example, we have a rather extreme use sparkw the system. This system lists Horn before Trumpet. This is standard orchestral nomenclature.
Also, it should be noted that Euphonium can be doubled by either Trombone or Tuba. Typically, orchestra scores have the tuba linked to euphonium, but it does happen where Trombone is the principal instead.
Saxophoneswhen included in orchestral music they rarely are will be shown in the “other instrument” location after strings and before the soloist, if any. Letters that are duplicated as in A in this example indicate multiple parts. Sparke Manhattan 21st Century Commissioned by the United States Army Band for their solo trumpet, Woodrow English, “Manhattan” is a two-movement piece demonstrating the lyrical and technical abilities of this fine performer.
The theme is a weekend in New York and the opening bluesy movement, “Saturday Serenade,” describes the city on a Satuday night, perhaps in a smoke-filled jazz bar. For the second movement, “Sunday Scherzo,” the composer pictured an early morning jog in Central Manhhattan.
MANHATTAN – Saturday Serenade – Parts & Score – Just Music – Brass Band Music and CDs
This vivaciously rhythmic movement ends with an even quicker coda bringing the work to a brilliant close. Range from A below the phipip to high C above optional high D and Eb above the staff ; straight mute required; double-tongue in Scherzo; brief cadenza; easy key signatures, but harmonic changes do present challenging fingering passages. Woodwind Instrumentation Codes Following many of the titles in our Wind Ensemble catalog, you will see a set of numbers enclosed in square brackets, as in this example: Thus a double reed quartet of 2 oboes, english horn and bassoon will amnhattan like this: Brass Instrumentation Codes Following many of the titles in our Brass Ensemble catalog, you will see a set of five numbers enclosed in square brackets, as in this example: This is a special instrumentation adopted and perfected by the Philip Jones Brass Ensemble.
It consists of the forces In addition, there are often doublings in the Trumpet section – Piccolo and Flugelhorn being the most common.
While this instrumentation has come to be common, it is still not “Standard” as many Brass Dectets use very different forces, most often with more Horns than PJBE.
String Instrumentation Codes Following many of the titles in our String Ensemble catalog, you will see a set of four numbers enclosed in square brackets, as in this example: Other Required and Solo parts follow the strings: Example 1 pbilip Beethoven: Example 2 – Jones: Example 3 – MacKenzie: And finally, here is one more way to visualize the above code sequence: Copland Fanfare for the Common Man [ Beethoven Symphony No 1 in C, op 21 [2,2,2,2,0,0, tymp, ].